Curator: Sebastián Vidal Mackinson
RADAR seeks to bring visibility to a generation of mostly mid-career national artists who continue to exhaust the possibilities of language and its various photographic processes, contributing to the expansion of what we understand as contemporary art. RADAR enables these artists to exhibit works that, through their practice, presence, and discourse, have fostered the definitive integration of photography as a specific, expansive, procedural, and cultural language within the scene. The attentive gazes of these artists on the procedural folds of the photographic act are interconnected with conceptions of the artistic as a social fact. In this sense, the works gathered here are approaches to issues related to gender, the body, graphic information, nature, the urban, and identity.
In this way, RADAR becomes a collective platform that encourages connections with diverse publics and audiences, fostering the sharing of perspectives, experiences, explorations, and concerns.
Participating Galleries (click here to browse the microsites of the galleries)
Almacén, San Nicolás de los Arroyos, Buenos Aires, Argentina
Biomba, San Miguel de Tucumán, Argentina
Diego Obligado Art Gallery, Rosario, Santa Fe, Argentina
Gachi Prieto, Buenos Aires, Argentina
HACHE, Buenos Aires, Argentina
Isla Flotante, Buenos Aires, Argentina
Júpiter, Córdoba, Argentina
Mite, Buenos Aires, Argentina
Nora Fisch, Buenos Aires, Argentina
Valerie’s Factory, Buenos Aires, Argentina
Sebastián Vidal Mackinson (Lic. in Arts -FFyL, UBA-/PhD Candidate in History at UNSAN/IDAES) is a curator, researcher, and professor of curation and contemporary art (ESEADE, UCA, UNA). He received the Profession Culture grant as a researcher of Latin American art at the Institute Recherche et Globalisation (Centre Georges Pompidou, 2013) and Jumex ICI (Mexico City, 2014). He won the Young Curators Program at arteBA 2015 with the project Europe. Journey, Landscape, Cartography. In 2020, he was an invited Argentine curator at ARCO Madrid.
In 2023, he was awarded a fellowship to participate in CIMAM Buenos Aires. He was the curator at Museo Sívori (2017-2021) and was part of the curatorial department at Museo Moderno (2016-2017). He has served as a juror for various awards and calls for submissions (Klemm, Andreani, Fortabat, Osde, Banco Central, Semana del Arte, Oxenford, Belgrano, MNBA). He has curated several solo and group exhibitions, including notable ones such as Alienígena. Emilio Renart y su práctica artística y social (Fortabat Collection, 2024), Las relaciones terminan en tragedia (CAC, UNLP, 2023), Dormir vestida. Eugenia Calvo (Fortabat Collection, 2022), Nicolás Varchausky. Archivo P.A.I.S. (CASo, 2021), Museo sin tiempo (Sívori, 2021), Un párpado pleno de savia. Martha Zuik. Dibujos 1954-1979 (Sívori, 2021), Corporalidades territoriales. Una aproximación al arte contemporáneo chileno (CCMatta, 2019), Ecologías (Sívori, 2018), Consternaciones / Constelaciones (Casa Fernandini, Lima, 2017), Oasis (arteBA, 2016), Soberanía del Uso (Osde, 2014), and Panteón de los Héroes (Osde, 2011).